
On the set of Marathon Man, Dustin Hoffman admitted to not having slept for 72 hours. His sleep deprivation was an acting technique – a tool that would allow him to accurately portray his character. In response, his co-star Laurence Olivier asked him, ‘why don’t you just try acting?’ This possibly apocryphal story encapsulates the supposedly oppositional attitudes taken by Americans and Brits – method acting for the Americans and highly technical approaches developed for classical texts for the Brits.
Bringing together scholars and practitioners, the symposium will challenge such simplistic binary narratives and explore how encounters between acting systems and theatre cultures have been enriched by the transatlantic movement of marginalised communities. Through interviews, panels, workshops and performance, we will explore how innovation and identity intersect across borders.
Sunday 15th March 2026 (all times are in GMT)
Session 1:
Session 2:
Monday 16th March 2026
Session 1:
Session 2 (this session will take place at Shakespeare's Globe):